KVlk - Blocking First Pass - Royce

Hey, Victor. This was my shot from last week. I am finishing up the new version for tonight (this is the old one from last week). Royce's notes were: - Block in the emotion on the face (eyes, brows) - Add in some subtle breathing in the beginning to make him 'alive' - Transition into a big breath before he turns - Turn him a little earlier to it hits on the 'ive' of the phrase 'give me something' - Zoom the camera in, bring the chair and him more into the middle - Turn his body towards camera more once he turns so he is looking just off camera - Drop him into the chair on the big breath after his 'My GOD MAN, I'm...) - Lots of internal thinking, release of tension for when he is finally seated before he delivers the final line See you tonight with the revised blocking!! Thanks!

Yatska refining last assignment acc. Royce's notes

Hello Victor and my classmates!
Here my last scene with very dangeros old woman. )))
This are Royce's notes + Ben's note, which I try to do all as better as I can.
1. Think about spacing, because all movement is very smoothly.
2. at fr. 107 will do overlap  - not move the same time for the head and arms
3. at fr. 81 "you have always been...." her head should move from point A - B - C, don't return her head to the first point A - this is not right - A - B - A. Don't do that.
4. Her shoulders should move more sharper at the begining - move up sharper and quicker.
5. Her mouths movement will do more sharper too.
6. at fr.191-229 think and do about albow, arm and body's movement - how weight work at this moment.
Many thanks!
can't wait to see you all, particular our teacher Victor!

Dana - Week 4 - No changes since class

Hey Y'all, This is just what I showed in class last week, playing catch up this week so I'm still working on revisions - will post a new version addressing the notes tomorrow/show in class!
Royce's notes were:
-Open the shot up in the beginning to give him more time to reflect and get to the milk before he says his first line.
-The timing and spacing felt even in the middle, particularly the arm swinging down after it grabs the milk.
-There was too much movement in the chest for the door close - redistribute it to the root.
-Start the first pose more relaxed.
-Arc the arm that slams the door.
Thanks!

Jackie- addressing Royce notes on dragon

Hi everyone, here is my first attempt at addressing Royce's notes on the dragon. The consensus was to have the dragon act more tough/ thuglike, but I think the idea of him being kind of jolly is funnier, so I tried to go for a compromise. There was a note on the blog to have him hold the pole with one hand, but in real life you can't fish without two hands on the pole. At least deep sea fishing like I'm used to. I just put the "princess" into spline, so I'm not looking for feedback on her yet. Thanks for looking!

Lauren Week 4 Blocking

Here's my blocking from last week. Thanks!

Jackie- recent version and notes from Royce

Hi everyone, here is my shot as is currently. I've worked on Victor's notes to tone it down because it goes along with some of Royce's notes. To paraphrase Royce's notes; -push the idea in shot 1 more. Have her more in her own world while swinging around. Have her not look at him at first while he's talking. Have her look at him first when she starts talking. -"I'm a princess"- nice. -stay at 116 pose, then shift weight over right before "Prince." -dragon is too chipper, have him more thug-y and direct. Sell thug-y attitude more. Less smile and more slouch. -cameras looking good. shot 3: twist away/ lean towards him, shift weight towards him.

I'm back - what did I miss?

Hi Class,
I would love it if you could post the work that you showed to Royce last week, along with the notes you received.  That way I can get up to speed before this Thursday.  See you then!